
Inneresting
↔️ #265 - It could have happened that way
Let's take a look at some real events that made it to the screen more than once.
Inneresting
Let's take a look at some real events that made it to the screen more than once.
A well-executed twist leaves an audience feeling like a story makes more sense now that they know this new information. We'll unpack how Conclave's ending doesn't upend the story, but fulfills the promise of its premise.
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Forget saving the cat. Show the reader your hero's inner dog.
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With scenes and sequences in a story, who has the power? Who's in control? And what will it take to change the character in the driver's seat?
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or: How I Learned to Stop Trying to Turn Off the Feelings Marvin Gaye said, "Great artists suffer for the people." The First Noble Truth of the Buddha is The Truth of the Existence of Suffering. There are enough popular examples of the tortured artist stereotype to fill
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How can a story show it has a strong, personal understanding of its audience? Should a story start from there, or find its way?
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Sometimes we use science to talk about craft, like when a study about conversations can teach something about dialogue.
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We're talking about the Garbage Can Model and how a description of chaotic organizations can help writers think about their minds and their craft.
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What does dramatizing real events do that can't be done with a documentary or the primary sources?
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Tone is a conscious point-of-view communicated by the writer. But are we talking about style or vibes?
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Aesop would never.
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When there's no way to win, what's there to do?