Inneresting
Every two characters in a story have some kind of relationship. It doesn’t mean they’re best friends or arch rivals. Being a complete stranger to someone describes a relationship. But what if you could be a stranger to yourself? Severance has a core premise where the employees of
Inneresting
Comfort viewing wasn't invented during COVID lockdown, but since that moment it's become a larger talking point. What makes a comfort watch, and how do we talk about it? Kathryn VanArendonk looks at the relationship between prestige TV and comfort TV, pointing out how the latter
Inneresting
Make the antagonist’s greatest strength the cause of their downfall Sometimes brute force isn’t enough – there’s no way to train longer, punch harder, or science faster. The hero faces an opponent who feels too strong to overcome. Is there a way to make the antagonist’s power
Inneresting
How many hyphens do you want in your title? We look at when actors write and writers act.
Inneresting
Let's take a look at some real events that made it to the screen more than once.
Inneresting
A well-executed twist leaves an audience feeling like a story makes more sense now that they know this new information. We'll unpack how Conclave's ending doesn't upend the story, but fulfills the promise of its premise.
Inneresting
Forget saving the cat. Show the reader your hero's inner dog.
Inneresting
With scenes and sequences in a story, who has the power? Who's in control? And what will it take to change the character in the driver's seat?
Inneresting
or: How I Learned to Stop Trying to Turn Off the Feelings Marvin Gaye said, "Great artists suffer for the people." The First Noble Truth of the Buddha is The Truth of the Existence of Suffering. There are enough popular examples of the tortured artist stereotype to fill
Inneresting
How can a story show it has a strong, personal understanding of its audience? Should a story start from there, or find its way?
Inneresting
Sometimes we use science to talk about craft, like when a study about conversations can teach something about dialogue.
Inneresting
We're talking about the Garbage Can Model and how a description of chaotic organizations can help writers think about their minds and their craft.