Our weekly-ish newsletter about screenwriting and things that are interesting to screenwriters.
Inneresting
Some writers and gurus would tell you not to write dream sequences. That they lack stakes, never actually feel like real dreams, or just that they waste the audience's time. You might even hear the argument that nobody wants to listen to somebody else's dreams: On
Inneresting
Do you ship it? Character-driven fiction involves managing relationships. Not just romantic relationships, but the dynamic between any two characters who share space in a story. When youāre writing, defining those fictional relationships helps give a sense of where two characters are at in the story, and what feels
Inneresting
In Episode 649 of Scriptnotes, John talks with Simon Rich (Miracle Workers, American Pickle) about what makes a strong comedic premise, and how the format changes the focus. Whatās funny in a three-minute SNL sketch often doesn't translate to a 100-minute feature. This week, letās go
Inneresting
Miguel de Cervantes Saavedra was at work writing a second volume of the stories of Don Quixote when a curious thing happened: A different author published a second volume. Cervantes then made the effort to use his own sequel to criticize the unauthorized volume, yet in doing so made some
Inneresting
In an episode of Tim Harford's podcast Cautionary Tales, Tim narrates the biography of William McGonagall, aka The Worst Poet in the World. But the focus of the story isn't on the quality of his writing, but the ferocity with which he pursued it and promoted
Inneresting
Every two characters in a story have some kind of relationship. It doesnāt mean theyāre best friends or arch rivals. Being a complete stranger to someone describes a relationship. But what if you could be a stranger to yourself? Severance has a core premise where the employees of
Inneresting
Comfort viewing wasn't invented during COVID lockdown, but since that moment it's become a larger talking point. What makes a comfort watch, and how do we talk about it? Kathryn VanArendonk looks at the relationship between prestige TV and comfort TV, pointing out how the latter
Inneresting
Make the antagonistās greatest strength the cause of their downfall Sometimes brute force isnāt enough ā thereās no way to train longer, punch harder, or science faster. The hero faces an opponent who feels too strong to overcome. Is there a way to make the antagonistās power
Inneresting
How many hyphens do you want in your title? We look at when actors write and writers act.
Inneresting
Let's take a look at some real events that made it to the screen more than once.
Inneresting
A well-executed twist leaves an audience feeling like a story makes more sense now that they know this new information. We'll unpack how Conclave's ending doesn't upend the story, but fulfills the promise of its premise.
Inneresting
Forget saving the cat. Show the reader your hero's inner dog.