Inneresting
🔌 Inneresting #263 - Who's got the power?
With scenes and sequences in a story, who has the power? Who's in control? And what will it take to change the character in the driver's seat?
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Inneresting
With scenes and sequences in a story, who has the power? Who's in control? And what will it take to change the character in the driver's seat?
Inneresting
or: How I Learned to Stop Trying to Turn Off the Feelings Marvin Gaye said, "Great artists suffer for the people." The First Noble Truth of the Buddha is The Truth of the Existence of Suffering. There are enough popular examples of the tortured artist stereotype to fill
Inneresting
How can a story show it has a strong, personal understanding of its audience? Should a story start from there, or find its way?
Inneresting
Sometimes we use science to talk about craft, like when a study about conversations can teach something about dialogue.
Inneresting
We're talking about the Garbage Can Model and how a description of chaotic organizations can help writers think about their minds and their craft.
Inneresting
What does dramatizing real events do that can't be done with a documentary or the primary sources?
Inneresting
Tone is a conscious point-of-view communicated by the writer. But are we talking about style or vibes?
Inneresting
Aesop would never.
Inneresting
When there's no way to win, what's there to do?
Inneresting
Why did we program these artificial life forms to feel stress?
Inneresting
Solve for all values of (x)
Inneresting
In the Summer a livelier sound design pumps from speakers 'round the room; In the Summer an audience's fancy lightly turns to thoughts of BOOM KA-POW DINOSAUR NOISES DINOSAUR NOISES SPAAAAAaaaaaCE SHIP. – Alfred, Lord Tennyson, Locksley Hall 16 (presented by eMagine) We're here today for