Ralph Reaches his Stretch Goal
A close look at Ralph Breaks the Internet, both as an example of a fundraising story and for how it emotionally connects to audiences and modern economic realities.
A close look at Ralph Breaks the Internet, both as an example of a fundraising story and for how it emotionally connects to audiences and modern economic realities.
Inneresting
Is it possible to make a recommendation that other people want to immediately act on? Why can it seem hard to be a good ambassador for your favorite things?
Inneresting
We're looking at examples of stories about characters who need money now! What makes a good story about a fundraiser?
We look at the overlap between the archetypes driving heroes and villains and announce the beginning of the Character Creator Kit Kickstarter!
Inneresting
What do we mean when we say characters fit an archetype? Is it something to avoid, or can writers leverage the stories that came before to create something new?
We answer the question about what's different between an Archetype and a Trope with help from Teenage Sex & Death at Camp Miasma.
Inneresting
What should writers know about depicting surveillance todayβor in the future?
Inneresting
Should we pooh-pooh the idea of Spooky Season? Is it better to have a big tent for stories about death, grief, and fear? And yes, Pumpkin Spice plays a role, too.
We take a deep dive into the character motivations of Dungeons & Dragons: Honor Among Thieves to look at what happens when a protagonist keeps chasing the same MacGuffin, but changes why they pursue it.
Inneresting
You don't need a serial killer or a nuclear crisis to force characters to spend time stuck in a room. We're setting the table for dinner party storytelling in this week's Inneresting.
A writer can't insert a bully getting their comeuppance into a story and expect the audience to immediately cheer for the underdog. When does fighting back help satisfy a larger character goal, and when does it cause more complications to overcome?
Inneresting
What makes a bully believable to an audience? What responsibility do writers have to their audience when telling a story about bullying? We have an Inneresting think about this, and more, this week!